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The venue was very diverse in its programming, in addition to the gay and lesbian balls were cultural events such as operetta and theatre performances, cabarets and literary evenings. The writer Else Lasker-Schüler organised what was to be her last public reading here on November 30th before she fled the city. The adjacent street is now named after her.
Like so much of Nollendorfplatz, the building was destroyed by bombing in The imposing apartment blocks on the far corners of the square, and stretching east along Bülowstrasse were built around to However what is not immediately visible is the run-down, shoddy state they were in by the late s.
People were burning coal for heating causing a great deal of soot and smog in the air, blackening the plasterwork of the buildings. Consequently, there was no spare money for the repair and upkeep of these grand mansion blocks. Many were let and sub-let and often dangerously overcrowded. Shortly after the writers WH Auden and Christopher Isherwood arrived in the city in and respectively, they were joined by a young schoolfriend of theirs, Stephen Spender. In later life he would become the renowned poet Sir Stephen Spender but at the time he was content to keep up with his racy, adventurous friends and he also kept a diary of his time in Berlin.
The bridges, arches, stations and commanding noise of the overhead railway have taken possession of the square and the streets leading eastward to the ever more sordid tenements. Construction was started in and it opened in , intended as a centre-piece for the newly laid-out Nollendorfplatz. By the Mozartsalle had been converted into a cinema and in the coming years would host the Friday-night premieres of films produced by the burgeoning Ufa film company based in Potsdam.
By the late s, the theatre had been leased by director and producer Erwin Piscator, who staged extraordinary, ground breaking new work with contributions from the likes of Bertolt Brecht and Kurt Weill. The theatre was destroyed during WW2 but the front of the building survived. The Mozartsalle Kino became The Metropol in the s and, as a dancehall and concert venue, was the heart of West Berlin social life for decades. It was never quite the success it promised to be and it is unknown as to whether it is currently operational at all.
By the early s, Nollendorfplatz was the hub of gay and lesbian life in Berlin and a thriving entertainment district. Prostitution was widespread and, seemingly, tolerated. The rise to power of the National Socialist government in , brought an end to many of the bars and clubs of Nollendorfplatz and across the city. On the Nollendorfplatz, people were sitting out of doors before the cafe in their overcoats reading newspapers.
Göring spoke from a radio horn at the corner. Germany is awake, he said. An ice cream shop was open. Uniformed Nazis strode hither and thither, with serious set faces, as though on weighty errands. The newspaper readers by the cafe turned their heads to watch them pass and smiled and seemed pleased. The dome on the station was completely destroyed in WW2 and the one that is there today was constructed in Since it has been illuminated at night in rainbow colours to reflect the history and diversity of the neighbourhood.
The station building itself is almost unchanged. There are two very distinct memorials at Nollendorfplatz. Inside the station building is an enclosed chamber, visible only through a gate, dedicated to the memory of the railway workers killed in the first and second world wars. On the outside of the building is a triangular plaque, in memory of the gay and lesbian victims of the National Socialist regime.
Today, Nollendorfplatz remains at the heart of the gay, lesbian, bisexual and transgender communities of Berlin. He began singing at the Czernowitz Synagogue and by the age of 20 had featured in his first solo recital, performing the works of Verdi, Puccini, Rossini and Bizet alongside traditional Jewish songs. In his uncle, Leo Engel, encouraged him to come to Berlin and his concert career began to flourish. He had also become an accomplished pianist.
He soon found that his diminutive stature — he was just 1. By , he was living at Nürnberger Strasse 68 in the west of the city, opposite the famous Eden Hotel and overlooking the Elephant Gate of Berlin Zoo. Over the next 6 years he appeared in 9 films and made numerous recordings for Ultraphone and Parlaphone, and in undertook a tour of the United States culminating in an appearance at the Carnegie Hall. Under the National Socialist regime, restrictions on Jewish artists and performers were becoming increasingly harsh and he concentrated on touring in Belgium and the Netherlands where he was extremely popular.
When war broke out in he fled initially to France and then onto Switzerland, arriving penniless and in poor health. Despite being well-known and in possession of a US visa, he was interned in a camp for illegal immigrants at Girenbad, close to Zurich. His health continued to deteriorate and despite his complaints of a throat infection and chest pains, medical attention was almost non-existent.
Support come in the form of the uniquely talented trio, The Smithereens. Accompanied by short readings from his works, see where 'Cabaret' was born, genders were blurred and films caused riots.